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Evidenza di 987
[...] In 1978 we produced Evidenza di 987, to which the title of the ongoing exhibition refers. For the first time, the large igloo with a diameter of six metres enabled visitors to go inside and, thanks to the transparency, see the glass panes resting on the structure and the red car door visually projected onto the wall canvas that contained traces of paint together with some tree branches resting on the canvas itself. “The total art of a nomadic artist”, as Harald Szeemann had written, became concrete. [...]